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As a mechanical engineer for many years, a highly structured field with few opportunities to be creative, Stan began exploring ways to express his creative talents. Stan started working with stained glass, he studied foil and lead techniques and he developed an interest in restoration work. The restoration work provided Stan a chance to hone his skills and become more knowledgeable about a variety of techniques used by other artists. While this was an excellent learning opportunity, Stan wanted to go beyond the limitations that came with the two-dimensional pieces that he restored. So, he continued to experiment. For Stan, it was exciting to discover that when he used warm glass, there was a noticeable difference. Depending on whether the glass in his creation is transparent or has opaque qualities, there is a real sense of a third dimension. Glass is a fascinating medium to work with because it is often impossible to predict the results and yet the outcome is usually a pleasant surprise. The first step in the creation process of one of Stan’s three-dimensional facial sculptures is to make a positive and negative mold of each piece. Stan then selects glass colors and arranges them using his layering techniques. Next, using a kiln, Stan repeatedly fires the glass. Finally, the glass is mounted onto a unique copper frame that Stan has created. Stan derives great satisfaction knowing that admirers of his works of art may see something different with each viewing depending on the refraction of light. positive and negative mold of each piece. Stan then selects glass colors and arranges them using his layering techniques. Next, using a kiln, Stan repeatedly fires the glass. Finally, the glass is mounted onto a unique copper frame that Stan has created. Stan enjoys knowing that each of his creations has a new look every time
it is admired.
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